Albin Grau (December 22, 1884 in Leipzig-Schönefeld – March 27, 1971) was a German artist, architect and occultist, and the producer and production designer for F.W. Murnau's Nosferatu (1922). He was largely responsible for the look and spirit of the film, including the sets, costumes, storyboards and promotional materials.
A lifelong student of the occult and member of Fraternitas Saturni, under the magical name of Master Pacitius, Grau was able to imbue Nosferatu with Hermeticism and mystical undertones.Tobias Churton. The Beast in Berlin: Art, Sex and Magick in the Weimar Republic. Rochester, VT: Inner Traditions,2014, p. 68 One example in particular was the cryptic contract that Count Orlok and Knock exchanged, which was filled with Enochian, hermetic and alchemy symbols. Grau was also a strong influence on Orlok's verminous and emaciated look. Grau claimed to had originally gotten the idea of shooting a vampire film while serving in the German Army during World War I, when a Serbian farmer told him that his father was a vampire and one of the Undead, though this story may have been fabricated to promote the film.
Before Grau and Murnau collaborated on Nosferatu, which was shot in 1921, Grau was planning to create several movies devoted to the occult and supernatural through his studio, Prana Film. Since Nosferatu was a loose and unauthorized translation of Bram Stoker's Dracula Prana had to declare bankruptcy in order to evade infringement lawsuits. This made Nosferatu its one and only release.
Pacitius (Grau) gave up all his lodge titles, refusing the invitation to head the new order, and left the Master's Chair of the Fraternitas Saturni, Orient Berlin, to Eugen Grosche, who would lead it as Master Gregorius into the new Aquarian/Saturnian age. Grau contributed fascinating, if mathematically obscure, articles on sacred geometry to Saturn Gnosis, the periodical of the Fraternitas Saturni (five issues between July 1928 and March 1930). The Beast in Berlin: Art, Sex and Magick in the Weimar Republic. Rochester, VT: Inner Traditions,2014, pp72-73. Note: this book reproduces several examples of Grau's occult artwork in full colour (see Plates 15-20) and three in sepia tones, including his portraits of Henry Cornelius Agrippa and of Eliphas Levi
After the war, he returned to Germany and pursued a career in commercial art and lived in the Alpine village of Bayrischzell, Upper Bavaria, until his death in 1971. Bayrischzell honours him to this day.
In the 2024 Nosferatu remake, the name of Professor Albin Eberhart von Franz (a counterpart to Van Helsing) is a reference to Grau.
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